Duncan Marquiss (b.1979 Scotland) is a Glasgow based artist who works with film and video, drawing, writing and music.
Much of his work explores overlaps between the cultural and the biological. His recent documentary work Evolutionary Jerks & Gradualist Creeps (2016) considered analogies between evolutionary patterns within the fossil record and the cultural evolution of popular music. Marquiss graduated from the MFA at Glasgow School of Art in 2005 and undertook the LUX Associate Artist Programme, London in 2009. He was the recipient of the Margaret Tait Award 2015-16.
Recent exhibitions include ‘Renderuin’ at Glasgow International Festival 2016 and a solo exhibition ‘Copying Errors’ at Dundee Contemporary Arts. Recent screenings include ‘Experimenta’ at the BFI London Film Festival 2015 and ‘Index’ screening at Microscope Gallery, New York.
For more information visit http://www.dca.org.uk/whats-on/event/duncan-marquiss
Ruth Barker, Jasper Coppes, Alan Currall, Sarah Forrest, Susan Brind, Jim Harold, Shona Macnaughton, Duncan Marquiss, Shauna McMullan, and Joanna Peace
A collaboration between ten artists and the National Trust for Scotland, Cabinet Interventions interrogates the role of material culture in defining place. In post-Brexit Scotland, how might often-contested identities and histories be articulated through institutions such as the Trust?
In 2017 the artists spent time in residence at Pollok House, exploring the cultural, political, historical, ecological and sensorial context of the site. This exhibition draws upon that research and dialogue to present sound, film, sculpture, text and performance.
Supported by The Royal Society of Edinburgh and Glasgow School of Art.
Fri 20 April – Mon 7 May
Mon – Sun, 10am-5pm