Buckley studied at Leeds College of Art and Goldsmiths, University of London, graduating in 2010 and 2013 respectively.
In 2013 he moved to the United States where he graduated from Yale School of Art in 2015.
Recent solo presentations of work include ‘Brotherhood Tapestry’, The Tetley, Leeds, UK (2017); ‘The Demon Of Regret’, International Studio & Curatorial Program, NYC (2016); ‘Pervert’s Lament as part of Time Item: Sculpture Thesis 2015’, Green Gallery, Yale School of Art (2015).
Joseph Buckley, Jamie Crewe, Jesse Darling, Cécile B. Evans, Lynn Hershman-Leeson, E. Jane, Sam Keogh, Mai-Thu Perret, John Russell
Cellular World: Cyborg-Human-Avatar-Horror
Cellular World is a group exhibition featuring works by nine different internationally renowned artists that introduces the key thematic concerns of this year’s Director’s Programme.
We live in a world where technology plays a large and changing role in everyday life. In an age of social media, most of us will have avatars – versions of ourselves – online, prompting us to question how we are represented and how we represent ourselves. At the same time, we are at a historical moment where the future frequently appears as a precipice between utopia and dystopia.
The works on show explore questions of identity and individual and collective consciousness at a time of prolific social change and uncertainty, when reality can often seem more like science fiction.
Curated by Richard Parry, Director, Glasgow International.
Includes works commissioned by Glasgow International. Supported by Glasgow Museums and the Henry Moore Foundation.
Fri 20 April – Sun 7 October
Mon – Wed & Sat, 10am-5pm
Fri & Sun, 11am-5pm
Kate Briggs, Joseph Buckley, Francis McKee, Vivian Sky Rehberg, Sarah Tripp, Nina Wakeford, and Brighton Upton-Trust
Invitations to Forms
An exhibition and seminar series examining ‘form’ in the narrative arts, based around materials curated by five writers and artists.
Visitors are invited to use the space at the Poetry Library at the Mitchell Library as a research centre, and attend seminars by the contributors, each of which will help compile a new vocabulary for exploring ‘the formal’ when approaching the narrative arts of the screen, stage and page.
Supported by Glasgow International, The Glasgow School of Art, the Piet Zwart Institute and The Mitchell Library
Fri 20 April – Mon 7 May
Mon – Thu, 9am-8pm
Fri – Sat, 9am-5pm