Paul McKee (b.1989) lives and works in Glasgow. He graduated in 2014 from The Glasgow School of Art from the Sculpture and Environmental Art Department. He works across drawing, painting and sculpture.
Solo exhibitions include: All Purpose Healer, Voidoid Archive, Glasgow (2016); The Plinth, Glasgow (2015).
Group exhibitions include: Short Shrift, Glasgow School of Art, Glasgow (2013); A Blot on the Landscape, Voidoid Archive, Glasgow (2014); Phoenix Bursary Exhibition, Glasgow School of Art, Glasgow (2015); Irreplaceable Encounters, Good Press, Glasgow (2015); 50 million painters can’t be wrong, New Glasgow Society, Glasgow (2015); Not as We Know it, The Royal Standard, Liverpool (2016); Mindsculptor, Jace Space, Los Angeles (2016); Bought Objects , Voidoid Archive, Glasgow (2016); Things, 2/2, Glasgow (2017); Mooncalf, 2/2, Glasgow (2017); At home with very friendly, Glasgow (2017).
Hamish Chapman, Andrew Sim & Paul McKee
Heaven to See
A group exhibition featuring three queer, Glasgow-based artists, exploring the gym, folk tales, cruising and monsters and their links to contemporary queer identity.
The exhibition consists of ceramic, painting, drawing and sculpture. McKee and Sim graduated from Glasgow School of Art’s Sculpture and Environmental Art Department in 2014, and Chapman from Painting and Printmaking the year after. All have exhibited widely, including shows at The Pipe Factory and Voidoid Archive. Chapman and Sim are co-directors of the curatorial platform Love Unlimited.
Fri 20 April – Mon 7 May
Mon – Sun, 12 noon-5pm
STASIS, Sgàire Wood, Urara Tsuchiya, James St Findlay, Lauren Hall, Winnie Herbstein, Jasleen Kaur, Vanessa Lim Shu Yi, Brendan McGuire, Paul McKee, Kate Morgan, Rosa Nussbaum, and Rosie Vohra
Social Event. Curated by Love Unlimited.
Taking place in a public swimming pool, Social Event is a sculptural and performance-based event that’s immersive in the most literal sense. Performances will take place in and around the pool. Sculptures will be floating and submerged, with the audience viewing the work from within the water.
The artists respond to the public pool’s political history, the context of health and leisure, as well as issues concerning the body and gender by making diverse works which require activation through audience participation, both directly and through more subtle means.
If you have any special requirements please contact us at email@example.com
Supported by Glasgow International.
Sat 21 April, Wed 25 April & Sat 28 April
Tickets available from 9 February.
For event times and tickets please see Platform’s website.