Sophie Dyer lives and works in London, UK. Dyer is an independent graphic designer working between London and Berlin. She recently completed studying at the Centre for Research Architecture, Goldsmiths where her work investigated the aesthetic and spatial dimensions of ‘slow violence’. Dyer collaborates with NGOs, journals, galleries, artists and cultural organisations to produce projects that move between design, journalism and research. She edits the Chinese-English magazine, Concrete Flux.
Group exhibitions include: Residency, Tabakalara, San Sebastian, Spain (2017); Dedications, Art Review Bar, London, UK (2017); Summer residency, Fondazione Prada, Venice, Italy (2016); Partisan Cafe (Freethought) Bergen Assembly, Bergen, Norway (2016); The Miraculous, Edinburgh Sculpture Workshop, Edinburgh, UK (2016) The Persistence of Type Vol. II, Glasgow International Festival of Visual Art, Glasgow, UK (2016); The Persistence of Type, Tramway, Glasgow, UK (2015); Nothing Is For Sale Here, Merchant City Festival, Glasgow, UK (2015); Valise: The Glasgow Weekend, Berlin, Germany (2013); Barrie Girls, The Briggait, Glasgow, UK (2013).
For more information visit cargocollective.com/sophie-dyer.
Maeve Redmond, Sophie Dyer, Fiona Jardine
The Persistence of Type vol. III
The Persistence of Type (vol. III) is a distributed newspaper and ongoing collaborative project by Panel’s Catriona Duffy and Lucy McEachan, artist Fiona Jardine and graphic designers Maeve Redmond and Sophie Dyer. In two previous volumes, it has explored exchanges between graphic design, visual art, fiction and performance.
The third volume will be widely distributed across the city during Glasgow International, providing a platform for critical and creative writing around design within the context of the festival. It will work with variously connecting practitioners across disciplines, all with a direct affiliation to Glasgow.
The Persistence of Type III will be available at participating GI venues across the city, including The Good Press, Glasgow Women’s Library and The Old Hairdressers.
Supported by Glasgow International.