Glasgow international 2018

20 April—
7 May

Rosie O’Grady (Open Glasgow Bursary Recipient)

May Day


This project attempts to agitate how artist Margaret Macdonald is represented. In 2016, French educators Marie-Noëlle Lanuit and Jean-Claude Piquard created a giant clitoris-shaped crop circle to protest the marginalisation of female sexual pleasure.

As Glasgow marks 150 years since the birth of Macdonald’s collaborator and husband, architect Charles Rennie Mackintosh, this project remodels Macdonald’s gesso panel ‘The May Queen’ as a crop circle.

Drawing upon a shift in the social and political history of May Day, it explores how crop circles might depart from associations with the paranormal and hoaxes to be come a mode of protest and distress signal.

Supported by Glasgow International and The James Hutton Institute.


Fri 20 April – Mon 7 May
Mon – Sun, 10am-5pm

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Glasgow international 2018