Glasgow International Festival of Contemporary Art

You Have Not Yet Been Defeated

A well lit room with a large brightly coloured fabric artwork on the floor in the centre. On the left hand side are two wooden shelving structures covered in books, and two TV screens mounted to the wall. At the back of the room is a large wooden structure from which part of the fabric artwork is hanging.
A well lit room with a fabric artwork hanging from a brightly coloured wooden structure.
A brighly lit room with a shelving unit in the foreground displaying a number of books. In the background is a brightly coloured tapestry on the floor.
A white wall with six small wooden photo frames in a horizontal line. The frames each contain artwork in black and white.
A close up photo of two wooden shelving structures with a series of books displayed on various shelves.
A dark room with three large connected screens. The screens on the centre and right display an image of an outdoor grassfilled area.
A room with white walls, the walls are covered with hanging artwork and coats, and in the centre are a selection of brightly coloured chairs with a lectern and microphone in front.
Dates and Opening times

Thu 6 June — Sat 31 August

Venue

Centre for Contemporary Art
350 Sauchiehall Street
G2 3JD

Presented by

This project takes the form of ongoing collective research by a group of artists and has been supported by Glasgow International.

Supported by

Supported by Glasgow International with Funds from the Scottish Government's Festivals EXPO Fund 

The School of Mutants and artist-curator Thomas Abercromby are undertaking a research project between Glasgow and Dakar, which aims to explore the creating, dissemination and diversification of knowledge. The project draws inspiration from Senegalese filmmaker and writer Ousmane Sembène's novel God's Bits of Wood, 1960, and seeks to delve into the intertwined narratives of colonialism, extraction, labour, class struggle and freedom.

God's Bits of Wood is set against the backdrop of the 1947-48 Dakar-Niger railway strike, a pivotal labour movement in colonial West Africa. The story follows a diverse cast of characters—workers, their families, and community members—as they unite to challenge French colonial rule and demand better working and living conditions. God's Bits of Wood illustrates the transformative power of collective action and the resilience of oppressed communities in their fight for liberation.

Railways have historically served as an important instrument of colonial coercion, facilitating territorial expansion, forced labour, and material extraction. The project aims to explore historical and contemporary parallels, as well as alternative narratives, between Glasgow, Dakar, and beyond. The research will focus on Glasgow's significance as a locomotive manufacturing centre crucial to British colonial exploitation, establishing parallels and initiating a cross-referenced dialogue with the railroad strikes across l'Afrique Occidentale Française (AOF). Through memory, historical analysis, and fiction, we hope to enrich our understanding of these pivotal moments of resistance and imagine future scenarios for liberation.

You Have Not Yet Been Defeated takes its title from Egyptian-British blogger, software developer, and political activist Alaa Abd El-Fattah's book of the same name. In his book, Abd El-Fattah reflects on the years of uprising against the Mubarak regime in Egypt, from 2011 to 2021, when he was sentenced for spreading "false news undermining national security." His powerful analysis spans from reflections on technology to the importance of solidarity and community, demonstrating what it means to stand for your ideas regardless of the cost. Like Sembène's work in God's Bits of Wood, Abd El-Fattah's writing emphasises that resistance is a communal act rather than an individual effort.

In the spirit of Sembène and Abd El-Fattah's writings, the collective has cultivated this exhibition as a starting point for their ongoing research. It offers an introductory glimpse into their practice and current thinking on pathways toward liberation through a mix of new and previously exhibited work. Emphasising mutation, You Have Not Yet Been Defeated is designed as a co-authored space activated through a public programme, serving as generative moments for developing common ground. The exhibition will continuously evolve, adapt and welcome new elements over time, inviting audiences and collaborators to engage and contribute to the process of collective knowledge-building

CCA’s scheduled exhibition with Ashanti Harris will be postponed due to unforeseen personal circumstances.