Kustom

Ursitti's work is often invisible. She prioritises the non-visual senses and has been working with fragrance since the early 1990s, creating installations and interventions that delve into the social and psychological aspects of scent. She plays with what smells good, what smells bad and odours that do not fit neatly into either category.

For Glasgow International 2016 she created a pungent intervention on the streets of Glasgow.

Supported by The Canada Council for the Arts