Laws of Motion in a Cartoon Landscape (II)

This exhibition was an attempt at a thesis for the world after the end of history, and in a particular art history. How is the artist to proceed in a landscape after everything has already been done, where everything is seemingly equally possible?

This ever-evolving idiosyncratic theory was adapted into a multi-screen film housed within its own immersive cartoon structure, supported by the surplus of works that were produced concurrently to the film's evolution.