Glasgow International Festival of Contemporary Art
  White room with metallic table in the middle, with two vertical cement beams across it. The table is filled with loafs of bread in blue and green tones.
A close-up of loafs of bread with blue and green insides, some cut up by the middle.
Cement room with two warm light lamps hanging from the ceiling. A black sign with a thumbs up with a Pizza enclosed in a heart. Some wood materials and tables are in the wall to the right. A stone oven is at the end of the room.
Room with natural light coming from a window to the left and filled with plant pots. Stairs at the end with carrot drawings go up and it reads "glazing workshop". There are wooden benches and tables.
A patio surrounded by cement buildings. A blue wall in the background. Some tall metal scaffolding and a metal beam horizontally going through it.
A metal scaffolding with beers of Stella Artois and wine glasses scattered on it. Below it the cardboxes of beer. A blue wall behind it, a cement wall to the right.

David Dale Gallery & Studios

This was the Vilnius-based Lithuanian artist’s first UK institutional solo exhibition, and one of his most ambitious projects to date.

A major commission of new installation work spanned multiple spaces within the David Dale Gallery building, and involved individuals from neighbouring businesses. It followed Serapinas’ well-received first solo exhibition Housewarming at Emalin, London in 2016, and his large-scale installation Sigi at Kunsthalle Wien in 2017.

Supported by Glasgow International and Creative Scotland.