Glasgow International Festival of Contemporary Art
An installation made of different materials has a rectangular shape with different earth-toned colours and white.
Two brown tubes next to cork and a golden metal object on top of it. In a white room with a window in the back wall.
People standing in a stairway looking down at the performance Lost Illusions/Illusions perdues by Sarah Pierce, who has tiles in her hands and is crouched down on the floor.
People starting at the exhibition, at images in corks. There are also two screens showing two people in red tops lying down heads agains each other.

Chapter Thirteen at The Pearce Institute

The Landis Museum was a “museum of the encounter” – an institution-within-an-institution constructed to explore various forms of interfacing made visible by the objects exhibited within it.

It contained works by a number of international artists, which have not been gathered as a result of their specific content, but by something within their mode of operation, their starting points, or the manner in which they seek to be read. The exhibits spanned a variety of media, including sculpture, drawing, performance and video.

Supported by Glasgow International.