Duggie Fields

In a white art space with fluorescent light panels from the ceiling we can see a living room space, with a sofa with leopard print and pop-art cushions in the centre. It has an open door to the left leading to another room with colourful art. To the right in the wall a picture of a manequin and a modern colorful art background. There is also a chair with a red lip-shaped cushion. The back wall has big colorful depictions of bodies and dancing people.

In a white art space with fluorescent light panels from the ceiling we can see big pop art colorful paintings in the walls (a house and a close-up of a face) and on an wooden easel (a mutilated body). There is a chair with wheels with a red cloth on top of it to the left. To the right there is a cardboard cut out of two old people in white standing up.

A bathroom with very colorful wals and ceiling, emulating paint strokes. To the left the basin, white and modern. There are colorful paintings in all the walls and circular mirrors in the left wall. The floor is white marble. In the door at the back there is a Elvis-face collage art. A blue coat is hanging in the right wall.

In a white art space with fluorescent light panels from the ceiling we can see to the left a pop art hangin on the wall, a manequinn leg and a cut out cardboard pop-art figure of a man in a suit. In the centre, a pop art painting of two white and black bodies in front of a grey background. To the right we see a bit of a leopard print sofa and a red char and table in front of a table.

The Modern Institute

The Modern Institute presented an historical show by British artist Duggie Fields.

Fields’ world combined elements from disparate cultural and historical vocabularies, drawing on imagery from classical and popular culture to inform his own cohesive signature style.

With a life that is very much intertwined with his creative output, Fields inspired Rei Kawakubo, he featured in a Shiseido Corporation advertising campaign and was a cultural icon in Japan during the 1980s. Fields’ exhibition recreated the artist’s personal environment, collaging seminal works with new ones alongside video and sound pieces.