Glasgow International Festival of Contemporary Art
There are several movie sets facing each other, the closest one has a wooden chair. There is a screen in the back wall showing a black-and-white film. It is all illuminated by big spotlights with a warm yellow light. This is part of an art installation in Film City, Glasgow International 2018.
A wooden board floor has on top a wooden desk and a toilet as a chair with a green bathtub to the right. There is a wall with a window with diamond-shaped metal bars. It is all illuminated by two big spotlights with a warm yellow light. There are other sets behind and around this one. This is part of an art installation in Film City, Glasgow International 2018.
Wooden board floor, with a green chair sofa and a standing lamp switched on besides it. There is a fireplace and a painting above it. It is all illuminated by on big spotlight with a warm yellow light. We can see other movie sets in the background.This is part of an art installation in Film City, Glasgow International 2018.
It is a theatre. There are several movie sets built, all illuminated by big spotlights with a warm yellow light. This is part of an art installation in Film City, Glasgow International 2018.

Film City

Two films, made collaboratively by Glasgow-based artist Stephen Sutcliffe and theatre director Graham Eatough, invited the viewer into the world of Mr Enderby, often considered the greatest literary figure to come from the mind of A Clockwork Orange author Anthony Burgess.

Enderby is a poet, and also Burgess’s alter ego. The first film depicted a school trip, visiting from another time to study and assess the trappings and worth of Mr Enderby in his 1960s apartment. The second film, a further feat of time travel and literary investigation, showed a young literature historian from the future on a mission to meet Shakespeare and interrogate him about the veracity of his writings.

Shown in the former Govan Town Hall, now Film City, the films, and their accompanying sets, theatrically disoriented and cajoled our notions of what comprises authenticity, posterity and the character of the artist.

Presented by the Contemporary Art Society, 2015, through the Annual Award, funded by the Sfumato Foundation.

Commissioned by Manchester International Festival, The Whitworth, The University of Manchester and Glasgow International 2018.

With funding from the National Lottery through Creative Scotland.

Co-produced with the Royal Exchange Theatre, Manchester.

Supported by Outset Scotland, Lion Eyes TV and The Den.

Developed in partnership with LUX