Highway to Nothing

A solo exhibition of sculptural work by Glasgow based artist Michael White that sits ambiguously between the fetishised commodity and the contemporary art object.

This new work was composed of manipulated photography and uses appropriated material from contemporary mainstream media to examine the translation of political ideology in to material culture. They observe a triangulation between our relationship to the increasing proliferation of imagery, information as distraction and concepts of aspiration defined by cultures of consumption.

Supported by Glasgow International