Paul Deslandes & Tine Bek

In a white studio, there are three different small sculptures made of metallic, plastic and tin materials. There is a photograph of someone taking off their sweater in the wall and two windows through which light comes into the room.

There are some small wooden stairs leading to a window. On top of that there is a sculpture made of silver metal that looks like an ondulated chair.

In a white studio, there are two different small sculptures made of metallic and plastic materials. There is a screen with a video of someone moving in the wall, which has colorful lines painted. There is a window on the right that looks out to a garden.

A white wall with painted colorful straight lines intersecting. There is a screen showing a video of someone doing a handstand.

On a white wall two photographs are displayed side to side. The one on the left are some legs wearing tights crossed. On the right a person with ginger wavy hair wearing a pink bathrobe with the seatbelt on.

Studio Pavilion, House For An Art Lover

As we fall we walk focused on the concept of mobility and movement by exploring ideals of perfection and disconnection between body and mind.

By combining references to the trivial and the unequivocal, this joint research-based project by Paul Deslandes and Tine Bek interrogated perceived prevalent presuppositions on our ability to move in a frictionless structure, and investigated the notions of perpetual motion, system degradation, freedom and constraint associated with movement.

Supported by Glasgow International.