Glasgow International Festival of Contemporary Art
paintings hang on the walls of a gallery. in the middle of the space a wire hangs between two washing line poles, two artworks and a small tv monitor hang from the wire
paintings hang on the walls of a gallery. in the middle of the space a wire hangs between two washing line poles, two artworks and a small tv monitor hang from the wire
a pink shirt, crumpled and painted across in neon orange and purple, black and dark blue, hangs on a white wall next to an abstract painting on lined paper
paintings hang on the walls of a gallery. in the middle of the space a wire hangs between two washing line poles, two artworks and a small tv monitor hang from the wire
photographs of a blue sky and silhouetted streetlamps sit with pieces of crumpled paper on a wooden table
three abstract paintings on lined notebook paper hang in white stained wooden frames on a white wall
an abstract painting with 3D flower shapes on the surface
a painting shows three strange figures operating a fruit press, there are 3D flowers on the surface of the painting

Centre for Contemporary Arts

Termite Tapeworm Fungus Moss brought together new work by three Glasgow-based artists – Kate Davis, Charlie Hammond, and Hayley Tompkins – in order to explore their shared interest in the commonplace.

Although working across a diverse range of media, these artists each began with what is close at hand. Their practices are enmeshed with their everyday lives and they share a desire to examine, unpick and re-imagine the minutiae of their daily experiences. Questioning personal and economic value systems, Davis’ artwork frequently re-evaluates voices and moments customarily marginalised by the art historical canon; Hammond often makes paintings that employ themes of domestic labour, work and include familiar objects (newspapers, pot plants, taps and fungi); and Tompkins combines paint, photography, furniture and film to evoke feelings of joy in sensory experience.

Supported by Glasgow International