Glasgow International Festival of Contemporary Art
a series of abstract floor-based sculptures in a gallery
abstract pale blue sculpture with khaki leather sits on a gallery floor
abstract concrete sculpture sits on the floor of a gallery
abstract aluminium sculpture in a gallery
abstract aluminium sculpture in a gallery
abstract teal sculpture with khaki leather trapped under it, sits on a cobble stone floor
abstract sculpture of resin, concrete, leather, metal
abstract sculpture of resin, concrete, leather, metal
abstract sculpture of resin, concrete, leather, metal
open top ply boxes hold an A4 gallery text and A4 abstract riso print

Studio Pavilion at House for an Art lover

Zero-Grazing encompassed a series of new sculptural works by Katie Watchorn which occupied the gallery at Studio Pavilion at House for an Art Lover.

Watchorn’s practice is rooted in the rhythms of farming and land management in rural Ireland. Primarily sculptural, her work often employs fickle, agriculturally specific materials (aggregates, fats, plastics) in combination with familiar rural motifs and ubiquitous objects (troughs, trailers, buckets). These temporary encounters establish a new awareness of a contemporary rather than a vanished existence.

Her work often minimalises the inherently chaotic environment of farming practice by reducing it to its barest outlines, allowing for an abstraction of this otherwise practical environment. In essence, the rurality of her existence is often rendered sterile and ambiguous, a symptom of her own fluctuation from rural to urban environments, and how these landscapes often compete in her mind.

Supported by Culture Ireland, Glasgow International and The Elephant Trust