Glasgow International Festival of Contemporary Art
a chapel-like double height space in an old building. The bottom window has a blue film over the panes, the blue light glows onto the bricks around
A blue film covers a window split into four panes, there is clear text on the film which begins  'As Africans who live in the diaspora, the state of being, of occupying multiple spaces is fundamental to our experience'.
batik fabric hangings on calico are suspended
a projected film shows a brush stroking ink over calico and a wax pattern
In the foreground a batic hanging on calico. In the background a manequin with an intricate dress made from fabric with an abstract indigo painted pattern. The manequin wears a headdress of large black feathers with strands of beads draped around the face.
A manequin with an intricate dress made from fabric with an abstract indigo painted pattern. The dress has a long train that is draped around the front of the manequin, upon which a vase sits. The manequin wears a headdress of large black feathers with strands of beads draped around the face.
an A5 abstract ink painting sits on a ply wood ledge
batik fabric hangings on calico are suspended

11-27 June 2021

These stories occupied the site of Heritage Centre at House for an Art Lover, it was a two-person solo exhibition, curated by Katherine Ka Yi Liu. The solos were The Divine Sky by Sekai Machache and Wathint’ Abafazi, Wathint’ Imbokodo by Thulani Rachia.

Quantum superposition is a state in which a particle or waves can exist in two positions in space simultaneously. As Africans who live in the diaspora, this state of being, of occupying multiple spaces is fundamental to our experience. This state of being here, there, now then, corporal transcendental. We piece things together to make sense of the whole. These things, fragments, histories and mythologies become our stories – created as a form of resistance, through a conservation of our traditions, ideas and beliefs. These stories are multi-dimensional and speak of shared and disparate perspectives from the continent and its diaspora.

Machache works with a wide range of media including but not exclusive to photography. Her photography often uses body paint and muted lighting to create theatrically staged images.

Rachia’s interdisciplinary practice integrates the fields of architecture, performance, and visual arts. Growing up in South Africa, his current inquiries explore the ways that body, site and history come together in the formation of culture and memory.

Curated by Katherine Ka Yi Liu

Supported by Glasgow International