susan pui san lok

two TV screens mounted in portrait orientation show embroidery circles with the text 'John Samond Danbury 1560'

white text on black wall has a list of surnames

a pile of horseshoes on a black floor. in the background is black wall with columns of white text

a long black wall with columns of white text

a pile of horseshoes on a grey floor. in the background is white wall with columns of black text listing surnames

a pile of horseshoes on a gre floor. in the background is white wall with columns of black text

The Briggait

seven x seven marked the Scottish exhibition debut of London-based artist susan pui san lok, bringing together new commissions and existing work across installation, sound, film and text. The exhibition was located across physical sites and online, drawing together strands of enquiry into the histories and folklore around witchcraft.

seven x seven took multiple forms across multiple sites, evoking and connecting narratives of gender and persecution between the East of England and Scotland, through collective acts of voicing and remembrance as resistance. seven x seven followed her 2019 solo exhibition, A COVEN A GROVE A STAND, commissioned by Firstsite as part of New Geographies co-ordinated by Wysing Arts Centre.

Curated by Mother Tongue

Supported by Arts Council England, Glasgow International, The Glasgow School of Art, New Geographies, University of the Arts London, and Wasps