Glasgow International Festival of Contemporary Art

Monuments for the Present

The image shows a detail from a collage made of paper cuttings combining decorative elements, blue and white Eyo festival hats (Nigeria), golden domes from the cathedral in Kiev, and details from Renaissance Sculptures.
Inna Hordiiko, Monuments for the Present - Collage, 2023
Courtesy of the artist. Photograph by Paria Goodarzi
The image shows a collage made of paper cuttings combining parts of a photograph of the Shawlands cross and a star-shaped form made with colourful decorative elements.
Tanisha Sarkar, Monuments for the Present - Collage, 2023
Courtesy of the artist. Photograph by Paria Goodarzi
The image shows a collage made of paper cuttings combining images of custard apple, pyramidal monuments, nigerian huts, stones and soil
Rezvan Faghani, Monuments for the Present - Collage, 2023
Courtesy of the artist. Photograph by Paria Goodarzi
The image shows a detail from a collage made of paper cuttings combining a cactus tree, a leg of a woman wearing parachute pants, three Matakam huts that can be identified as cylindrical long pointy thatched roofs, a cat and meerkat.
Valentyna Dolottseva, Monuments for the Present - Collage, 2023
Courtesy of the artist. Photograph by Paria Goodarzi
The image shows a detail from a collage made of paper cuttings combining images of mangoes, cacti, islamic ornamental elements and plaster copies of eyes, noses, ears from Renaissance sculptures.
Sadaf Syeda, Monuments for the Present - Collage, 2023
Courtesy of the artist. Photograph by Paria Goodarzi
Artwork is displayed on tables and standing alone on a wooden floor.
Paria Goodarzi, Mia Gubbay & Francesca Zappia with the Maryhill Integration Network Museum of Things Art Group, Monuments for the Present, 2024
Installation view, Centre for Contemporary Arts, Glasgow. Part of Glasgow International 2024
Courtesy of the artists. Photo: Eoin Carey
Sculptures are displayed on a wooden table. In the background there is artwork displayed on the wall featuring written text.
Paria Goodarzi, Mia Gubbay & Francesca Zappia with the Maryhill Integration Network Museum of Things Art Group, Monuments for the Present, 2024
Installation view, Centre for Contemporary Arts, Glasgow. Part of Glasgow International 2024
Courtesy of the artists. Photo: Eoin Carey
Artwork featuring black and white type is displayed on a wall with blurred sculptures seen in the foreground.
Paria Goodarzi, Mia Gubbay & Francesca Zappia with the Maryhill Integration Network Museum of Things Art Group, Monuments for the Present, 2024
Installation view, Centre for Contemporary Arts, Glasgow. Part of Glasgow International 2024
Courtesy of the artists. Photo: Eoin Carey
Artwork featuring black and white type is displayed on a wall.
Paria Goodarzi, Mia Gubbay & Francesca Zappia with the Maryhill Integration Network Museum of Things Art Group, Monuments for the Present, 2024
Installation view, Centre for Contemporary Arts, Glasgow. Part of Glasgow International 2024
Courtesy of the artists. Photo: Eoin Carey
Artwork is displayed on a wooden floor.
Paria Goodarzi, Mia Gubbay & Francesca Zappia with the Maryhill Integration Network Museum of Things Art Group, Monuments for the Present, 2024
Installation view, Centre for Contemporary Arts, Glasgow. Part of Glasgow International 2024
Courtesy of the artists. Photo: Eoin Carey
A cut out of a human form is displayed on a wooden floor.
Paria Goodarzi, Mia Gubbay & Francesca Zappia with the Maryhill Integration Network Museum of Things Art Group, Monuments for the Present, 2024
Installation view, Centre for Contemporary Arts, Glasgow. Part of Glasgow International 2024
Courtesy of the artists. Photo: Eoin Carey
Sculptures are displayed on a wooden table and the floor, with artwork featuring written text on a wall behind.
Paria Goodarzi, Mia Gubbay & Francesca Zappia with the Maryhill Integration Network Museum of Things Art Group, Monuments for the Present, 2024
Installation view, Centre for Contemporary Arts, Glasgow. Part of Glasgow International 2024
Courtesy of the artists. Photo: Eoin Carey