Glasgow International Festival of Contemporary Art

[mouthfeel]

a grey textured surface
Camara Taylor, Untitled (Redecomposition 2, 1871, 2021, 2022), 2023

Courtesy of the artist. Photograph by Camara Taylor
A black and white still featuring water pouring in front of a textured rocky surface
Camara Taylor, Still from Borderline, directed by POOL Group, 1930, 2023

Rephotographed in 35mm by Camara Taylor
A lectern made from metal welded together stands in a white room.
Camara Taylor, [mouthfeel], 2024
Installation view, Tramway, Glasgow. Part of Glasgow International 2024
Courtesy of the artist. Photo: Matthew Arthur Williams
A close up of the top panel of a metal lectern, which has a small metal ring placed on it.
Camara Taylor, [mouthfeel], 2024
Installation view, Tramway, Glasgow. Part of Glasgow International 2024
Courtesy of the artist. Photo: Matthew Arthur Williams
A metal sheet is on a white wall. From the bottom of the sheet is a pipe, which feeds into a clear box sitting on the group.
Camara Taylor, [mouthfeel], 2024
Installation view, Tramway, Glasgow. Part of Glasgow International 2024
Courtesy of the artist. Photo: Matthew Arthur Williams
A close up of a dark sheet of metal, at the bottom is a trough that is gathering a liquid that runs down the sheet of metal.
Camara Taylor, [mouthfeel], 2024
Installation view, Tramway, Glasgow. Part of Glasgow International 2024
Courtesy of the artist. Photo: Matthew Arthur Williams
A framed artwork featuring oil-like marks and a faded black and white photograph.
Camara Taylor, [mouthfeel], 2024
Installation view, Tramway, Glasgow. Part of Glasgow International 2024
Courtesy of the artist. Photo: Matthew Arthur Williams
A white room which features artworks presented on walls and metal sculptures around the room, including a large metal lectern.
Camara Taylor, [mouthfeel], 2024
Installation view, Tramway, Glasgow. Part of Glasgow International 2024
Courtesy of the artist. Photo: Matthew Arthur Williams