Glasgow International Festival of Contemporary Art

Peace Arbour

A person ties something onto the branch of a tree in a garden area. There is a circle made up of wooden benches.
Reiko Goto Collins & Yoko Ono, Peace Arbour, 2024
Installation view, Glasgow Women's Library, Glasgow. Part of Glasgow International 2024
Courtesy of the artists. Photo: Eoin Carey
A framed messages and a box sit on top of a wooden table in an outdoor area.
Reiko Goto Collins & Yoko Ono, Peace Arbour, 2024
Installation view, Glasgow Women's Library, Glasgow. Part of Glasgow International 2024
Courtesy of the artists. Photo: Eoin Carey
A person writes down something on a piece of paper leaning on a wooden table, next to a white box.
Reiko Goto Collins & Yoko Ono, Peace Arbour, 2024
Installation view, Glasgow Women’s Library, Glasgow. Part of Glasgow International 2024
Courtesy of the artists. Photo: Eoin Carey
On a stack of bricks there is a sign displayed that reads 'Write your wishes here' on a chalkboard.
Reiko Goto Collins & Yoko Ono, Peace Arbour, 2024
Installation view, Glasgow Women’s Library, Glasgow. Part of Glasgow International 2024
Courtesy of the artists. Photo: Eoin Carey
A4 sized artworks are displayed on a white wall. There is a see through curtain covering one of the archways into the space.
Yoko Ono, Arising, 2024
Installation view as part of the exhibition 'Peace Arbour', Glasgow Women’s Library, Glasgow. Part of Glasgow International 2024
Courtesy of the artist. Photo: Eoin Carey
A4 sized artworks are displayed on a white wall.
Yoko Ono, Arising, 2024
Installation view as part of the exhibition 'Peace Arbour', Glasgow Women’s Library, Glasgow. Part of Glasgow International 2024
Courtesy of the artist. Photo: Eoin Carey
The back of a person sitting on a chair watching a film on a screen, in a dark panelled room. The still on screen is a woman standing in a well lit room with a object fixed to her arm, standing in front of a tree.
Reiko Goto Collins, HAKOTO, 2024
Installation view as part of the exhibition 'Peace Arbour', Glasgow Women’s Library, Glasgow. Part of Glasgow International 2024
Courtesy of the artist. Photo: Eoin Carey
An panelled room with an armchair surrounded by large plants. There is a light rug on the ground.
Reiko Goto Collins, HAKOTO, 2024
Installation view as part of the exhibition 'Peace Arbour', Glasgow Women’s Library, Glasgow. Part of Glasgow International 2024
Courtesy of the artist. Photo: Eoin Carey
Organic-like artworks are displayed on a white wall, some are hanging up on a string across the room.
Zana Araki, Diverse beings – Feel my Frequency – Lines of Connection, 2024
Installation view as part of the exhibition 'Peace Arbour', Glasgow Women’s Library, Glasgow. Part of Glasgow International 2024
Courtesy of the artist. Photo: Eoin Carey
Organic-like objects are displayed on a table covered by a light blue tablecloth.
Zana Araki, Diverse beings – Feel my Frequency – Lines of Connection, 2024
Installation view as part of the exhibition 'Peace Arbour', Glasgow Women’s Library, Glasgow. Part of Glasgow International 2024
Courtesy of the artist. Photo: Eoin Carey
A photo of an outstretch arm and hand which is covered by a device with visible batteries, wiring and tubing. In their palm they hold a leaf below part of the machine.
Collins & Goto Studio, HAKOTO | Speaking Leaf, 2023
documentation of performance, Glasgow, July 2023
Courtesy of the artists
A woman waring a sunhat and insect net sits in outside in an area surrounded by trees. In her hands she holds a machine which is connected to a tube.
Collins & Goto Studio, HAKOTO | Speaking Leaf, 2023
Courtesy of the artists
badge with the words Imagine Peace
Yoko Ono, Imagine Peace (badge), undated

A woman stands below a tree with green and red leaves in a courtyard. Attached to the branches of the tree are pieces of white paper.
Yoko Ono, Wish Tree for Stockholm, 1996/2012
installation view, Moderna Museet, Stockholm, Sweden, 2012
Courtesy of the artist. Photograph by Moderna Museet / Åsa Lundén