Glasgow International Festival of Contemporary Art

The First Annual Maud Sulter Lecture

A view of a gallery showing six large format framed photographs of collage works showing a mixture of landscapes and African sculptures
Installation view of Maud Sulter, Syrcas, 1993
in the exhibition 'Passion' at Street Level Photoworks, 2015
Courtesy of Street Level Photoworks. Photograph by Alan Dimmick
blurred image of a woman in a gallery looking at very large framed portraits of black women.
Installation view of Maud Sulter, Hysteria, 1991
in the exhibition 'Passion' at Street Level Photoworks, 2015
Courtesy of Street Level Photoworks. Photograph by Alan Dimmick
View in a gallery with 3 images on the walls of colourful framed photographs of Black creative women dressed as muses from Greek tradition, meant to celebrate the cultural accomplishments of Black women
Installation view of Maud Sulter, Zabat, 1989
in the exhibition 'Passion' at Street Level Photoworks, 2015
Courtesy of Street Level Photoworks. Photograph by Alan Dimmick
Large format Polaroid self-portrait of a striking looking woman with black short hard, black blouse and necklace
Maud Sulter, Self-Portrait, 2002
large format Polaroid
Courtesy of The Estate of Maud Sulter
two people sat at a table talking in front of a screen, one holds a microphone
Jackie Kay, The First Annual Maud Sulter Lecture, 2024
Lecture delivered at the Reid Lecture Theatre, Glasgow School of Art, Thursday 20 June 2024. Presented by Street Level Photoworks, Glasgow Women’s Library and Glasgow School of Art.
Photo: Karen Gordon, courtesy Street Level Photoworks
people sat in an audience applausing
Jackie Kay, The First Annual Maud Sulter Lecture, 2024
Lecture delivered at the Reid Lecture Theatre, Glasgow School of Art, Thursday 20 June 2024. Presented by Street Level Photoworks, Glasgow Women’s Library and Glasgow School of Art.
Photo: Karen Gordon, courtesy Street Level Photoworks
Woman brightly smiling in bar wearing diamond patterned sweater. There are many photography on the walls in the background which is out of focus
Jackie Kay
Photograph by Mary McCartney