Adam Christensen is an artist who lives and works in London. His research reflects upon the mise-en-scene of a subject, its construction and representation. Through singing, Madam, his alter-ego, transports the audience into a private world of love and desire, melancholy and loss. The lines between the artist and viewer, life and fiction are blurred, in order to explore the everyday as spectacle.
Solo exhibitions include: I’m not done with you yet, Goldsmiths CCA, London (2019); Criminal Longing 3, Almanac Projects, London (2019); Shitty Heartbreaker, Overgaden, Copenhagen (2018); Staging Realities 1, Kunstverein, Hamburg (2018).
Group exhibitions include: Reacción A Islandia, Pavilion Nordico, Buenos Aires (2019); Beatrice Gibson/Crone Music, Camden Arts Centre, London (2019); DRAG, Hayward Gallery, London (2018); 56 Artillery Lane, Raven Row, London (2017); Soundworks, ICA, London (2012).
Performances include Sweet Surrender, OGR, Turin (2019); Irruptive Chora, Royal College of Arts, London (2018); Steps to Aeration, Tanya Leighton, Berlin (2017); Park Nights: BBC Radio 3’s Late Junction, Serpentine Galleries, London (2016); CHÂTEAUX DOUBLE WIDE, Glasgow International (2016).