Glasgow International Festival of Contemporary Art
 

Anna Paterson

Installation view of "Daybook" showing Anna Paterson's pale striped panel work beside Amelia Barratt's small oil painting "Fusebox," depicting a warm-toned interior scene with a window and objects on a table.
Amelia Barratt Fusebox, 2026

Photo credits courtesy of the artist and Patricia Fleming Gallery Photo: Bart Urbanski
Anna Paterson's "Pressure," a tall panel work in oil on paper with pins, divided into bands of pink, speckled grey, black, and yellow-green patterning.
Anna Paterson, Pressure, 2026

Photo credits courtesy of the artist and Patricia Fleming Gallery Photo: Bart Urbanski
Amelia Barratt's "Lift," an oil painting in ochre and jade green tones suggesting a landscape or window view with a pale reflective surface below.
Amelia Barratt Lift, 2026

Photo credits courtesy of the artist and Patricia Fleming Gallery Photo: Bart Urbanski
Anna Paterson's "Oriel," a large panel work in oil on paper with screws, its surface divided into a pale blue grid crossed with faint diagonal lines.
Anna Paterson Oriel, 2026

Photo credits courtesy of the artist and Patricia Fleming Gallery Photo: Bart Urbanski
Amelia Barratt's "Canal," an oil painting with a deep purple sky over a golden yellow ground, with loosely rendered forms in blue, green, and white.
Amelia Barratt Canal, 2026

Photo credits courtesy of the artist and Patricia Fleming Gallery Photo: Bart Urbanski
Two of Anna Paterson's oil-on-paper panel works side by side, one with a speckled white dotted surface, the other divided into coloured vertical bands including red, blue, and yellow.
Anna Paterson, 2026

Photo credits courtesy of the artist and Patricia Fleming Gallery Photo: Bart Urbanski
Installation view of "Daybook," pairing a small ochre and green painting with a larger canvas depicting a red car-like form and pale wall, both by Amelia Barratt.
Amelia Barratt Install Gallery 1

Photo credits courtesy of the artist and Patricia Fleming Gallery Photo: Bart Urbanski
Installation view of "Daybook," showing Anna Paterson's speckled panel work through a doorway alongside Amelia Barratt's small interior painting on the facing wall.
Daybook Install, 2026

Photo credits courtesy of the artist and Patricia Fleming Gallery Photo: Bart Urbanski
Installation view of "Daybook," showing a tall striped panel work by Anna Paterson through a doorway, with a small painting by Amelia Barratt on the adjacent wall.
Daybook Install, 2026

Photo credits courtesy of the artist and Patricia Fleming Gallery Photo: Bart Urbanski
Anna Paterson's "Angel," an oil-on-paper panel with washers and screws, its surface covered in a fine dotted pattern across a pale ground.
Anna Paterson, Angel, 2025

Photo credits courtesy of the artist and Patricia Fleming Gallery Photo: Bart Urbanski
Amelia Barratt's "Subway," an oil painting in deep red and teal tones with gestural brushwork, hung on a weathered tiled wall.
Amelia Barratt Subway, 2026

Photo credits courtesy of the artist and Patricia Fleming Gallery Photo: Bart Urbanski
Amelia Barratt's "Sunscreen," an oil painting showing a red car-like form beneath a pale wall, with a figure in blue rendered loosely at its edge.
Amelia Barratt, Sunscreen, 2026

Photo credits courtesy of the artist and Patricia Fleming Gallery Photo: Bart Urbanski
Anna Paterson's oil-on-paper panel work, its cream surface scattered with small marks in blue, red, yellow, and black across a grid of joins.
Anna Paterson, Angel, 2025

Photo credits courtesy of the artist and Patricia Fleming Gallery Photo: Bart Urbanski

Projects

  • Programme
    Anna Paterson
    Daybook
    Patricia Fleming Gallery, Oxford House, 4 Oxford Lane, Glasgow, G5 9EP
    Installation view of "Daybook," showing Anna Paterson's speckled panel work through a doorway alongside Amelia Barratt's small interior painting on the facing wall.