Glasgow International Festival of Contemporary Art
 

Anna Tanner

dark room with red and blue lighting. red laser like lines are projected across the wall along with he words 'THIS IS ONLY A DRAMATIZATION'. in the corner of the room is a small cube monitor with an even smaller monitor resting on top.
Michelle Hannah, THIS IS ONLY A DRAMATIZATION & ZEN 2012
Installation view, Southside Studios, Glasgow International 2012
Photo Michelle Hannah
painting of a green field with a large marquee in the background, oil on board
Anna Tanner, But Still They Came, 2012
Southside Studios, Glasgow International 2012
Photo Patrick Jameson
projection of film work onto a wall. it shows a woman standing on a bed in a bedroom. the bedroom walls are decorated with a large unstretched canvas of roses, with portrait drawings and paintings stuck on top.
Rose Ruane, My Idea Of Love Comes From A Childhood Glimpse Of Pornography, 2012
Southside Studios, Glasgow International 2012
Photo Patrick Jameson
cube monitor on top of a plinth, the screen shows a man lying down on paved floor.
Erica Eyres, Inside The Minds, 2012
Southside Studios, Glasgow International 2012
Photo Michelle Hannah
oil painting on board. the painting shows two people. the person on the left is more completed with skin tones whereas the person on the right appears unfinished as if still an underpainting.
Anna Tanner, You And I Were Once Like This, 2012
Southside Studios, Glasgow International 2012
Photo Patrick Jameson
photograph of performance. the performer wears a horse mask as the audience watch on straddled on both sides of the makeshift stage
Anna Tanner, Familiar Part 2, 2012
Southside Studios, Glasgow International 2012
Photo Patrick Jameson
performance by Michelle Hannah. One person is in the centre of the stage holding a cabled microphone. everyone else in the room wears wrestling masks.
Michelle Hannah, Familiar Part Two, 2012
Southside Studios, Glasgow International 2012
Photo Allan Shaw
performance by Rose Ruane. The performer sits on spinning desk chair with their knees up as the audience watches.
Rose Ruane, Familiar Part Two, 2012
Southside Studios, Glasgow International 2012
Photo Patrick Jameson

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