Glasgow International Festival of Contemporary Art
 

Ashanti Harris

Portrait of Melanie Keen sat smiling
female performer, light focus on the hands in pose
In a large room with period feature ceiling and blue carpet, a series of wooden structures and sections of red sandstone sculptures are spaced out
In a large room with period feature ceiling and blue carpet, a series of wooden structures and sections of red sandstone sculptures are spaced out
In a large room with period feature ceiling and blue carpet, a series of wooden structures and sections of red sandstone sculptures are spaced out
On a wooden structure is a section of a red sandstone sculpture showing the head and torso of a person with their hair drawn into a bun on their head and cradling a small train in their arms
detail of a red sandstone sculpture showing hands holding a small train
a section of a red sandstone sculpture covered in moss sits on a wooden structure
detail of metal symbols screwed to a wooden structure. the symbols show two hands and a small box floating between them
5 wall mounted cabinets, two floor sculptures, a TV, two benches, a shelf with headphones and publications are laid across a room
a red and white piece of striped fabric with printed lettering lost in folds sits on a section of white tiled floor
a blue and white piece of striped fabric with printed lettering lost in folds sits on a section of white tiled floor
an old square television set on a white plinth shows an abstract green pattern
a red and white piece of striped fabric with printed lettering that reads 'JRB Carbolic Germicidal Soap' sits on a section of white tiled floor
The red cover of an A5 publication is pulled back to show a cover page that reads 'I want to show you a body by G.O.D.S. (Glasgow Open Dance School)'
5 red covered A5 publications sit on a while shelf. Two sets of black headphones attached to mp3 players are also hanging from the shelf.
5 wall mounted cabinets, two floor sculptures, a TV, two benches, a shelf with headphones and publications are laid across a room
a mirrored cabinet mounted on a wall. One of the doors has been removed and reveals domestic scenes with dolls-house furniture inside.
a mirrored cabinet mounted on a wall. One of the doors has been removed and reveals domestic scenes with dolls-house furniture inside.
a wall mounted mirrored cabinet has a swirl of paint smeared across it and a tiny metal boat stuck to the surface
detail of a tiny metal iron on a mirrored cabinet door
The red cover of an A5 publication is pulled back to show a cover page that reads 'I want to show you a body by G.O.D.S. (Glasgow Open Dance School)'
The reflection of a figure on the surface of water
Some figures performing with drums wearing bright costumes inside a scaffolding-like structure

Ashanti Harris is an artist and researcher exploring themes of diasporic identity, history, and movement through a performative and participatory sculptural practice that centres her local community in the process of embodying histories, cultures and legacies through the act of making.

Projects