Glasgow International Festival of Contemporary Art
 

Dan Walwin

a dark industrial space with two films projected. On the screens are abstract images of earth.
Dan Walwin, Like clock, 2021
Installation view, David Dale Gallery, Glasgow International 2021
Image: Max Slaven. Courtesy Dan Walwin and David Dale Gallery
a dark industrial space with film projected onto a screen showing an abstract stone-like shape and wicker weaving
Dan Walwin, Like clock, 2021
Installation view, David Dale Gallery, Glasgow International 2021
Image: Max Slaven. Courtesy Dan Walwin and David Dale Gallery
a dark industrial space with film projected. On the screen is a light-skinned person with long brown hair, a black facemask, holding a camera. In the foreground is a bale of hay
Dan Walwin, Like clock, 2021
Installation view, David Dale Gallery, Glasgow International 2021
Image: Max Slaven. Courtesy Dan Walwin and David Dale Gallery
In a dark room a film is projected onto a screen. The projected image shows a light skinned person with dark hair and a facemask holding a tv screen with another light skinned, dark haired person with red lipstick smiling out from it
Dan Walwin, Like clock, 2021
Installation view, David Dale Gallery, Glasgow International 2021
Image: Max Slaven. Courtesy Dan Walwin and David Dale Gallery
a light skinned person with dark hair and a facemask holding a tv screen with another light skinned, dark haired person with red lipstick smiling out from it
Dan Walwin, Like clock, 2021
Film still
sepia toned image of old building
Dan Walwin, Like clock, 2021
Film still
stone shapes and wicker fence
Dan Walwin, Like clock, 2021
Film still

Projects

  • 2021
    Dan Walwin
    Like clock
    David Dale Gallery and Studios
    In a dark room a film is projected onto a screen. The projected image shows a light skinned person with dark hair and a facemask holding a tv screen with another light skinned, dark haired person with red lipstick smiling out from it