Glasgow International Festival of Contemporary Art
 

Emelia Kerr Beale

Large painting framed in a black frame and hung from the ceiling with chain. The painting depicts multiple figures in fluorescent paint
Detail of fluorescent airbrushed painted head with ear ring on canvas.
A pattern of a shirt and trousers is laid flat on a wall, decorated with art including the words 'lust' and 'envy' . On the white wall around the piece are drawings in pink.
 A framed artwork is displayed on a wall, it features two people kissing. In the foreground is a pipe which has black plastic butterflys attached to it.
Framed drawing in colour pencil, depicting in fine detail 2 figures kissing, hung on a wall with abstracted pink figures and faces.
Framed drawing in colour pencil. Abstract with images of eels and 2 heads.
Image of a resin cast mottled moth placed on a textured white background.
Free standing metal sculpture placed in an white room with white pillars. The sculpture has a thin tubular  frame, with a panel of weaved thin sheet metal.
2 silver cut out silhouette of angels in mirror image on brown paper.
A black ink drawing of a crowd of people on a white, torn-out sketchbook page. Most of the figures are pictured from the neck or shoulders up and have cartoonish, exaggerated features. They are rendered in scratchy pen lines with cross-hatched shading or no shading at all. The figures are densely packed together with some emerging out of an indistinct shadowy backdrop
A coloured pencil drawing depicting a woman with curly hair and a green dress. In her hand she holds a wine glass which is spilling red liquid. Over her left shoulder a swan with teeth bites a lock of her hair.
suspended on a curved wire frame hung from ceiling knitted cardigans with extra long arms, in a room with wooden flooring, fireplace, wooden sash windows and dark green walls

The images shown above represent the Glasgow International 2024 project that Emelia Kerr Beale is participating in, as well as the artist’s individual practice.

Emelia Kerr Beale works across drawing, sculpture and textile to articulate complex bodily experiences. They are currently interested in historical and contemporary modes of textile production, and the implications this has for machines and the bodies that use them. Other threads in their practice include the transmission of generational knowledge through familial collaboration. Recent exhibitions include There Has to Be Somewhere, Grand Union Gallery, Birmingham 2023, pain folds its legs, Edinburgh Sculpture workshop, Edinburgh 2023, and Platform:2022, Institut Français d'Ecosse, Edinburgh 2022.

Projects