Glasgow International Festival of Contemporary Art
 

Erika Stevenson

A room with concrete floors and columns has a white wall with two portraits. They mix color photographs with black and white photographs, creating a collage.
Louise Gibson, Diane Edwards, Sheena Leach, Ursula Kam-Ling Cheng & Erika Stevenson Transmuted worlds, 2018
Installation view, Clockwise Savoy Tower, Glasgow International 2018
Image: Erika Stevenson
A room with concrete floors and columns has a white wall with a orange, black and whitesculpture made of metal. There is another in front of it, made of the same materials.
Louise Gibson, Diane Edwards, Sheena Leach, Ursula Kam-Ling Cheng & Erika Stevenson, Transmuted worlds, 2018
Installation view, Clockwise Savoy Tower, Glasgow International 2018
Image: Erika Stevenson
A glass wall has black drawings and you can see behind a wall of concrete with colorful grafitti and painting.
Louise Gibson, Diane Edwards, Sheena Leach, Ursula Kam-Ling Cheng & Erika Stevenson, Transmuted worlds, 2018
Installation view, Clockwise Savoy Tower, Glasgow International 2018
Image: Erika Stevenson
With natural light coming from a window on the left, the room with concrete floors has a screen showing the ocean.
Louise Gibson, Diane Edwards, Sheena Leach, Ursula Kam-Ling Cheng & Erika Stevenson, Transmuted worlds, 2018
Installation view, Clockwise Savoy Tower, Glasgow International 2018
Image: Erika Stevenson
A glass wall to the right has black drawings and you can see behind a wall of concrete with colorful grafitti and painting.
Louise Gibson, Diane Edwards, Sheena Leach, Ursula Kam-Ling Cheng & Erika Stevenson, Transmuted worlds, 2018
Installation view, Clockwise Savoy Tower, Glasgow International 2018
Image: Erika Stevenson
A sculpture of a fire hydrant hose in black on top of the concrete grey floor.
Louise Gibson, Diane Edwards, Sheena Leach, Ursula Kam-Ling Cheng & Erika Stevenson, Transmuted worlds, 2018
Installation view, Clockwise Savoy Tower, Glasgow International 2018
Image: Erika Stevenson

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