Glasgow International Festival of Contemporary Art
 

Hang Linton

An interior glasshouse room filled with a variety of plants and trees, with a large orange wooden tree shaped sculpture on the right hand side.
An interior glasshouse room filled with a variety of plants and trees, with a small sculptures are positioned in front of plants.
A photo of the interior of a glasshouse containing a brightly coloured art installation with purple, black and green fabric surrounding a water fountain. A variety of plants are positioned on either side of the artwork.
An interior view of a glasshouse room with plants lining the walls on either side

The images shown above represent the Glasgow International 2024 project that Hang Linton is participating in, not the artist’s individual practice.

Hang Linton is a self-taught, interdisciplinary artist, working in music, performance, dance, video, sculpture and installation. Their personal practice explores otherness through sound, non-linear time concepts, community and public art. Splicing avant-funk, dance-punk and breakbeats, their art is a rebellion against clean aesthetics, inspired by past experiences, changing global events and the ugliness in the world. Hang bends your ear around the counterculture sounds and movements that have shaped him. Hang has performed and exhibited at Gropius Bau Berlin, BALTIC Centre for Creative Arts Gateshead, and the Howard Assembly Rooms Leeds. Their most recent sound and visuals work Blue Light Hike, a project about being racially attacked by the police, will be screened online with Video Club and in-person screenings at HAU Berlin and VIVO Media Arts Vancouver, with an accompanying score for the audience to participate in.

Projects

  • Programme
    Unnatural* Urges
    A series of brightly coloured objects which have been distorted, in the background an image of an arm with a bird bird resting upon it reaches forwards