Glasgow International Festival of Contemporary Art
 

Jasmine Togo-Brisby

Plaster cast replica tamtam drums arranged in the shape of the hold of a ship against a dark backgrounds, three chandeliers placed above the work horizontally
Jasmine Togo-Brisby, Can you see us now? 2024, cast plaster. Photo by Max Bull-Crossan

Max Bull-Crossan
Jasmine Togo-Brisby, As Above, So Below, 2022–23, plaster, 9820 × 2850mm. Art Gallery of New South Wales, purchased with funds provided by Geoff Ainsworth AM and Johanna Featherstone, 2023. 254.2023.a-f.
Jasmine Togo-Brisby, As Above, So Below, 2022–23, plaster, 9820 × 2850mm. Art Gallery of New South Wales, purchased with funds provided by Geoff Ainsworth AM and Johanna Featherstone, 2023. 254.2023.a-f.

Film still showing an aerial shot of a boat in the sea
Mother Tongue, single-channel video, sound, 9 min 30 sec, edition of 3 + AP. 2022
Artspace Mackay, Queensland
Skulls made from unrefined sugar mounted upon one another against a black backdrop on the ground
Jasmine Togo-Brisby, unrefined sugar and epoxy resin, objects 140 × 190 × 145mm (each), installed dimensions variable. Queensland Art Gallery | Gallery of Modern Art. Bitter Sweet 2015

Joe Ruckli

Projects