Glasgow International Festival of Contemporary Art
 

Paria Moazemi Goodarzi

The image shows a detail from a collage made of paper cuttings combining decorative elements, blue and white Eyo festival hats (Nigeria), golden domes from the cathedral in Kiev, and details from Renaissance Sculptures.
The image shows a collage made of paper cuttings combining parts of a photograph of the Shawlands cross and a star-shaped form made with colourful decorative elements.
 The image shows a collage made of paper cuttings combining images of custard apple, pyramidal monuments, nigerian huts, stones and soil
 The image shows a detail from a collage made of paper cuttings combining a cactus tree, a leg of a woman wearing parachute pants, three Matakam huts that can be identified as cylindrical long pointy thatched roofs, a cat and meerkat.
The image shows a detail from a collage made of paper cuttings combining  images of mangoes, cacti, islamic ornamental elements and plaster copies of eyes, noses, ears from Renaissance sculptures.
Artwork is displayed on tables and standing alone on a wooden floor.
Sculptures are displayed on a wooden table. In the background there is artwork displayed on the wall featuring written text.
Artwork featuring black and white type is displayed on a wall with blurred sculptures seen in the foreground.
Artwork featuring black and white type is displayed on a wall.
Artwork is displayed on a wooden floor.
A cut out of a human form is displayed on a wooden floor.
Sculptures are displayed on a wooden table and the floor, with artwork featuring written text on a wall behind.

Paria Goodarzi is a visual artist and social art practitioner, member of UNESCO RILA Affiliated Artist network, and the Young Academy of Scotland. Paria studied BA Textile Design at the University of Science & Culture in Tehran, Sculpture & Environmental Art at Glasgow School of Art, and a Masters in Adult Education, Community Development, & Youth Work at Glasgow University.

Her work focuses on cultural and political transfers, translocations, and ideas of the contemporary human condition, cultural identity, and displacement. Paria examines the processes of formation, and representation of identity through a multidisciplinary practice that often takes the form of collaborative, participatory and socially engaged artworks. As part of her community and socially engaged art practice, she targets a broad audience of diverse social backgrounds and ages, responding to ideas around identity and representation. Exploring social and political issues through participatory and collective engagement and creative thinking with the aim to make a positive impact on the long-term wellbeing and visibility of minority groups to promote integration and diversity.

Projects