Glasgow International Festival of Contemporary Art
 

Stephen Sutcliffe

There are several movie sets facing each other, the closest one has a wooden chair. There is a screen in the back wall showing a black-and-white film. It is all illuminated by big spotlights with a warm yellow light. This is part of an art installation in Film City, Glasgow International 2018.
Graham Eatough & Stephen Sutcliffe, No End to Enderby, 2018
Installation view, Film City, Glasgow International 2018
Image: Alan Dimmick
A wooden board floor has on top a wooden desk and a toilet as a chair with a green bathtub to the right. There is a wall with a window with diamond-shaped metal bars. It is all illuminated by two big spotlights with a warm yellow light. There are other sets behind and around this one. This is part of an art installation in Film City, Glasgow International 2018.
Graham Eatough & Stephen Sutcliffe, No End to Enderby, 2018
Installation view, Film City, Glasgow International 2018
Image: Alan Dimmick
Wooden board floor, with a green chair sofa and a standing lamp switched on besides it. There is a fireplace and a painting above it. It is all illuminated by on big spotlight with a warm yellow light. We can see other movie sets in the background.This is part of an art installation in Film City, Glasgow International 2018.
Graham Eatough & Stephen Sutcliffe, No End to Enderby, 2018
Installation view, Film City, Glasgow International 2018
Image: Alan Dimmick
It is a theatre. There are several movie sets built, all illuminated by big spotlights with a warm yellow light. This is part of an art installation in Film City, Glasgow International 2018.
Graham Eatough & Stephen Sutcliffe, No End to Enderby, 2018
Installation view, Film City, Glasgow International 2018
Image: Alan Dimmick

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