Glasgow International Festival of Contemporary Art
 

Thomas Abercromby & The School of Mutants

A well lit room with a large brightly coloured fabric artwork on the floor in the centre. On the left hand side are two wooden shelving structures covered in books, and two TV screens mounted to the wall. At the back of the room is a large wooden structure from which part of the fabric artwork is hanging.
A well lit room with a fabric artwork hanging from a brightly coloured wooden structure.
A brighly lit room with a shelving unit in the foreground displaying a number of books. In the background is a brightly coloured tapestry on the floor.
A white wall with six small wooden photo frames in a horizontal line. The frames each contain artwork in black and white.
A close up photo of two wooden shelving structures with a series of books displayed on various shelves.
A dark room with three large connected screens. The screens on the centre and right display an image of an outdoor grassfilled area.
A room with white walls, the walls are covered with hanging artwork and coats, and in the centre are a selection of brightly coloured chairs with a lectern and microphone in front.

The School of Mutants, founded in Dakar in 2018, is a nomadic collaborative platform for art and research focusing on the role of pedagogy in post-independent Senegal and West Africa. Through installations, fieldwork, films, publications, and public assemblies, it aims to generate knowledge in inclusive ways, reflecting on African futurism, anti-imperialist ecologies, and global solidarities.

Thomas Abercromby is an artist and curator exploring micro-utopias and underrepresented narratives through various mediums, including film, installations, and pedagogical programming.

Projects