Nep Sidhu with Nicholas Galanin, Axes in Polyrhythm from the series When My Drums Come Knocking, They Watch (2018), Courtesy of the artist
Untitled (2019), Photo: Tyler Adams
Courtesy of the artist. Photo: Patrick Jameson
Quarantaine (2020), by Georgina Starr. Courtesy the artist, FVU, Art Fund, The Hunterian, University of Glasgow, Leeds Art Gallery and Glasgow International.
Carol Rhodes, River, Roads (2013) Courtesy of the estate of Carol Rhodes
Laura Aldridge PHYSICAL CULTURE: Raise your vibration and stick this up where it will do some good IRL (2019) Courtesy of the artist and Koppe Astner, Glasgow
France-Lise McGurn, Earth Girls Are Easy (2019) Photo: Ben Westoby. Courtesy of the artist and Simon Lee Gallery
sorry, not sorry. 2018
Hyphen Labs, The Gospel According to Yawn (2019)
Eva Rothschild, Kosmos (2018) Installation view, ACCA, Melbourne. Photo: Andrew Curtis. Courtesy the artist and The Modern Institute/Toby Webster Ltd, Glasgow
Leslie Thompson ‘Valley of the Gwanji’ (2019) illustration on paper. Photo: Martin Livesey
Arjuna Neuman and Denise Ferreira da Silva '4 Waters' film still (2019) Courtesy of the artists
Peju Alatise 'Water No Get Enemy' (ongoing)
Liv Fontaine (2019)
Bodys Isek Kingelez, Kimbembele Ihunga (1992) Courtesy of The Museum of Everything
Sarah Forrest, I Left It on Page 32 (2013) video still from HD video installation
Jenkin van Zyl, In Vitro production still (2020)
Yuko Mohri, Voluta (2018) Installation view at Camden Arts Centre. Photo: Damian Griffiths. Courtesy of Camden Arts Centre.
Lubaina Himid; Breaking in, Breaking out, Breaking up, Breaking down (2018), Limited edition commissioned by Glasgow International
Georgina Starr 'Moment Memory Monument' (2017) Courtesy of Georgina Starr and Alcantara ®
Gretchen Bender 'Total Recall' (1987) Photo ©Tate
Nep Sidhu with Nicholas Galanin, Axes in Polyrhythm from the series When My Drums Come Knocking, They Watch (2018) Courtesy of the artist
Katie Watchorn, BalehomeBalehome (2018)
Ana Mazzei, Run Rabbit Run (2018). Photo: Alex Wolfe
Seher Shah, 'Unit Object (gate)' (2014) Published at the Glasgow Print Studio and printed by Stuart Duffin. Courtsey the artist, Green Art Gallery and Nature Morte
Ilana Halerin, Sakurajima, 31 Oct 2019 (2019). Photo: Ilana Halperin, Courtesy the artist and Patricia Fleming, Glasgow.
Sekai Machache, 'White Aspect' (2018) Courtesy of the artist.
Sharon Hayes, Ricerche (2019) Courtesy of the artist and Tanya Leighton, Berlin
Image caption: Luke Fowler, My Gourd Instruments (2019) Sonica 2019. Courtesy the artist and The Modern Institute/Toby Webster Ltd, Glasgow
Iman Tajik, A to B: II (2018)
Margaret Salmon Untitled photograph [detail] (2019) Courtesy of the artist
Rabiya Choudhry, COCO!NUTS! Fabrics (2018) Photo: Eoin Carey
Ruth Mitchell, commissioned by The Gallow Gate for 'Hushed' by Ndidi Dike (2019)
Jacqueline Donachie, Headphones, Music, Boats and Trains (2017) Installation view at Gallery of Modern Art, Glasgow. Photo: Ruth Clark. Courtesy of Patricia Fleming Projects, Glasgow
Sekai Machache, from the series 'Invocation'
Adam Christensen, I'm Not Done with You Yet (2019) Installation view at Goldsmiths CCA. Photo: Andy Stagg
Harriet Rose Morley 'Self Care in Self-Build' (2019) Courtesy of Hotel Maria Kapel
Unknown photographer, Untitled Photograph (1987) Courtesy of the estate of Donald Rodney
Aman Sandhu, The Magic Roundabout (2020)
Hayley Tompkins 'Upgrade II' (2019) Courtesy of the artist
susan pui san lok 'Score for Voices' (2019)
Graham Fagen, 'Ping Pong Club' (2020), Inkjet Print
Ratty Byebye 'Take Me Somewhere Sticky' (2018) Photo: Tiu Makkonen
Kameelah Janan Rasheed, How to Suffer Politely (And Other Etiquette) (2004-present). Courtesy of Transmission Gallery 2016
Ima-Abasi Okon, Capture Mechanism Bypass for Surplus — aChoreographic-Logic-Complex Dub (anticipatory talk back)' (2018) for exhibition 'sur—[Mix-Use Commodity]—plus (2019). Installation view, Kingsgate Project Space, London. Courtesy of the artist. Photo Tim Bowditch.
Jimmy Robert 'Untitled (belladonna)' (2007) Courtesy of the artist and Tanya Leighton, Berlin
Beth Dynowski 'Over Open Ground' Flyposter Detail (2017)
Soufiane Ababri, Bedwork (2017) Courtesy of the artist and Praz Delavallade Paris Los Angeles
Walker & Bromwich 'Mosaic Performance' (2019) Photo: Julia Bauer
Dawn Mellor, 'Police Constable Sally Armstrong (Alexandra Louise Bastian)', (2016) From the series 'Sirens'. Oil paint on canvas. Courtesy of the artist
Ingrid Pollard, 'Untitled' from '17 of 68 series'(2019) Courtesy of the artist.
Annie Crabtree 'Tell me how do I feel?' (2019) Courtesy of the artist
Andrew Sim 'New Sodom under a God-Proof Space Dome, 3000AD' (2019) Photo: Malcolm Cochrane
Urara Tsuchiya 'untitled' (2018) Photo: Urara Tsuchiya. Courtesy of the artist