Glasgow International Festival of Contemporary Art
 

Gallery of Modern Art (GoMA)

A group of children walk through a sugar plantation field. Each carries a different item. The lead child carries a ring of barbed wire. Another child carries a machete for cutting sugar.
Enzo Camacho & Ami Lien, Langit Lupa, 2023
still from digital video
Courtesy of the artists
installation view of the GoMA. it is dimly lit and there is a projection screen showing a close up of a leaf. two illuminated collages are seen on either edge of the room.
Ami Lien & Enzo Camacho, Offerings for Escalante, 2024
Installation view, Gallery of Modern Art, Glasgow. Part of Glasgow International 2024
Courtesy of the artists. Photo: Matthew Barns
installation view of the GoMA. it is dimly lit and surrounded by pillars and arches is a projection screen showing a tree in a village,
Ami Lien & Enzo Camacho, Offerings for Escalante, 2024
Installation view, Gallery of Modern Art, Glasgow. Part of Glasgow International 2024
Courtesy of the artists. Photo: Matthew Barns
dimly lit gallery space. in front there is a glass display cabinet with a super 8 projector inside. it projects an image of a butterfly
Ami Lien & Enzo Camacho, Offerings for Escalante, 2024
Installation view, Gallery of Modern Art, Glasgow. Part of Glasgow International 2024
Courtesy of the artists. Photo: Matthew Barns
dimly lit space with 3 sheets of fabric hanging between pillars. on the fabric abstract organic shapes create shadows.
Ami Lien & Enzo Camacho, Offerings for Escalante, 2024
Installation view, Gallery of Modern Art, Glasgow. Part of Glasgow International 2024
Courtesy of the artists. Photo: Matthew Barns
A black background with an collaged design with a flame shape at the top
Enzo Camacho & Ami Lien, Offerings for Escalante, 2024
Presented by Glasgow International with Gallery of Modern Art (GoMA). Part of Glasgow International 2024
Courtesy of the artist. Photo: Matthew Arthur Williams
A black background with an collaged design flowers and butterflies within it.
Enzo Camacho and Ami Lien, Offerings for Escalante, 2024
Presented by Glasgow International with Gallery of Modern Art (GoMA). Part of Glasgow International 2024
Courtesy of the artist. Photo: Matthew Arthur Williams
A black background with an embroidered design of a heart with butterflies within it.
Enzo Camacho & Ami Lien, Sacred Heart (butterfly procession), 2023
Courtesy the artists. Photograph by Wong Pak Hang @ Studio Lights On
A drawing of a skull with a green substance below it. The green substance partially covers the skull.
Enzo Camacho & Ami Lien, Decomposition Animation, 2023
16mm film
Courtesy of the artists
A black background with an embroidered design resembling a volcano.
Enzo Camacho & Ami Lien, Social Volcano (lava moon), 2023
Courtesy of the artists. Photograph by Wong Pak Hang @ Studio Lights On
A photo of an outdoor landscape of a field with long grass and a hill in the distance.
Enzo Camacho & Ami Lien, Langit Lupa, 2023
still from digital video
Courtesy of the artists
An image of Nirbhai (Nep) Singh Sidhu's installation in the Gallery of Modern Art, Glasgow. Brightly coloured textile piece hanging from gallery ceiling.
Nirbhai (Nep) Singh Sidhu, An immeasurable Melody, Medicine for a Nightmare, 2021
Installation view, Gallery of Modern Art, Glasgow International 2021
Image: Matthew Arthur Williams
The image shows an exhibition of Nirbhai (Nep) Singh Sidhu's work in the Gallery of Modern art. The image shows three blue boxes holding colourful paintings.
Nirbhai (Nep) Singh Sidhu with Nicholas Galanin, Axes in Polyrhythm from the series When My Drums Come Knocking, They Watch, 2018
Gallery of Modern Art, Glasgow International 2021
Image: Matthew Arthur Williams
An image of Nirbhai (Nep) Singh Sidhu's installation in the Gallery of Modern Art, Glasgow. The image shows a large scale, colourful tapestry hung from the ceiling. There are tassels trailing on the floor.
Nirbhai (Nep) Singh Sidhu, An Immeasurable Melody, Medicine for a Nightmare, 2021
Installation view, Gallery of Modern Art, Glasgow International 2021
Image: Matthew Arthur Williams
An image of Nirbhai (Nep) Singh Sidhu's installation in the Gallery of Modern Art, Glasgow. The image show an abstract sculpture made of concrete and steel laid on a pile of sand.
Nirbhai (Nep) Singh Sidhu, An Immeasurable Melody, Medicine for a Nightmare, 2021
Installation view, Gallery of Modern Art, Glasgow International 2021
Image: Matthew Arthur Williams
A table with light coming from within and different materials of different textures, colours and viscosity in web-like structures as part of an art installation in the Gallery of Modern Art, Glasgow International 2018.
Joseph Buckley, Jamie Crewe, Jesse Darling, Cécile B. Evans, Lynn Hershman-Leeson, E. Jane, Sam Keogh, Mai-Thu Perret, John Russell Cellular World: Cyborg-Human-Avatar-Horror 2018
Installation view, Gallery of Modern Art, Glasgow International 2018
Image: Alan Dimmick
A desk with a computer and a keyboard covered in newspapers and other plastic textures as part of an art installation in the Gallery of Modern Art, Glasgow International 2018.
Joseph Buckley, Jamie Crewe, Jesse Darling, Cécile B. Evans, Lynn Hershman-Leeson, E. Jane, Sam Keogh, Mai-Thu Perret, John Russell Cellular World: Cyborg-Human-Avatar-Horror 2018
Installation view, Gallery of Modern Art, Glasgow International 2018
Image: Alan Dimmick
A metal installation of web-like plastic materials and other electronic and artwork is illuminated with white light in front of an elegran wallas part of an art installation in the Gallery of Modern Art, Glasgow International 2018.
Joseph Buckley, Jamie Crewe, Jesse Darling, Cécile B. Evans, Lynn Hershman-Leeson, E. Jane, Sam Keogh, Mai-Thu Perret, John Russell Cellular World: Cyborg-Human-Avatar-Horror 2018
Installation view, Gallery of Modern Art, Glasgow International 2018
Image: Alan Dimmick
An office with a white wall has a shelves stacked with books. To the right is a small stage all painted dark blue with fog coming out of it as part of an art installation in the Gallery of Modern Art, Glasgow International 2018.
Joseph Buckley, Jamie Crewe, Jesse Darling, Cécile B. Evans, Lynn Hershman-Leeson, E. Jane, Sam Keogh, Mai-Thu Perret, John Russell Cellular World: Cyborg-Human-Avatar-Horror 2018
Installation view, Gallery of Modern Art, Glasgow International 2018
Image: Alan Dimmick
A manequin of a person with long blue hair with white wicks is reading a book lying down on a red, black and white rug. To their left is a gun. This is a part of an art installation in the Gallery of Modern Art, Glasgow International 2018.
Joseph Buckley, Jamie Crewe, Jesse Darling, Cécile B. Evans, Lynn Hershman-Leeson, E. Jane, Sam Keogh, Mai-Thu Perret, John Russell Cellular World: Cyborg-Human-Avatar-Horror 2018
Installation view, Gallery of Modern Art, Glasgow International 2018
Image: Alan Dimmick
In front of a white wall a screen with a film showing (a close-up of a man closing his eyes) as part of an art installation in the Gallery of Modern Art, Glasgow International 2018.
Joseph Buckley, Jamie Crewe, Jesse Darling, Cécile B. Evans, Lynn Hershman-Leeson, E. Jane, Sam Keogh, Mai-Thu Perret, John Russell Cellular World: Cyborg-Human-Avatar-Horror 2018
Installation view, Gallery of Modern Art, Glasgow International 2018
Image: Alan Dimmick
Elegant barroque-decorated ceiling and columns with colorful laundry hanging across the room as part of an art installation in the Gallery of Modern Art, Glasgow International 2018.
Joseph Buckley, Jamie Crewe, Jesse Darling, Cécile B. Evans, Lynn Hershman-Leeson, E. Jane, Sam Keogh, Mai-Thu Perret, John Russell Cellular World: Cyborg-Human-Avatar-Horror 2018
Installation view, Gallery of Modern Art, Glasgow International 2018
Image: Alan Dimmick
A gallery with a high vaulted ceiling and columns. In the middle a large, white toy-like cartoon figure sits on what appears to be rocket (sculpture). Other art works are visible in the background
Cosima Von Bonin, Installation view, Who's Exploiting Who in the Deep Sea, 2016
Gallery of Modern Art, Glasgow International 2014
Stuffed sea creature sitting behind small desk. Shown in the corner of a gallery, with a view of shops out of the window
Cosima Von Bonin, Who's Exploiting Who In The Deep Sea?, 2016
Gallery of Modern Art, Glasgow International 2014
Stuffed red lobster on a white sculptural structure
Cosima Von Bonin, Who's Exploiting Who In The Deep Sea?, 2016
Gallery of Modern Art, Glasgow International 2016
A white-walled gallery with an open door way. In the foreground, a sculptural work of a table with a pink surface. Other works are visible in the room behind.
Tessa Lynch, Installation view, Painter's Table, 2016
Gallery of Modern Art, Glasgow International 2016
Photo: Ruth Clark
A white-walled gallery with a sculptural work that is a screen supported by poles floor to ceiling. The screen has abstract yellow marks on it. Other works are also visible.
Tessa Lynch, Installation view, Painter's Table, 2016
Gallery of Modern Art, Glasgow International, 2016
credit : Ruth Clark
A woman is standing in the middle of the room with a full crowd behind her. She is speaking into a microphone and pointing to and looking at somewhere in the distance. There are long tables placed on either side of the woman.
Sue Tompkins, Come To Ozark, 2014
Gallery of Modern Art, Glasgow International 2014
Photo: Ruth Clark
Placed on a discoloured and old sheet of taper are two ruled sheets with poems on them. These sheets are also old and discoloured. The one on the left reads, "I Am Going To, Slow You, Down" and the one on the right reads "Wagons: Wagons, Fields. Air, Sky, Joy, Speed."
Sue Tompkins, Come To Ozark, 2014
Gallery of Modern Art, Glasgow International 2014
Photo: Ruth Clark
On a blank wall, hangs a large rectangular painting, with a light shining on it. The floor beneath it is wooden. The painting is metallic and has slashes in the shape of a leaf and the word "Grow" painted on it. On the right top corner is a peeking branch with a couple berries painted on it.
Sue Tompkins, Come To Ozark, 2014
Gallery of Modern Art, Glasgow International 2014
Photo: Ruth Clark
A woman is standing in the middle of the room with a full crowd behind her. She is speaking into a microphone and pointing to and looking at somewhere in the distance. There are long tables placed on either side of the woman.
Sue Tompkins, Come To Ozark, 2014
Gallery of Modern Art, Glasgow International 2014
Photo: Ruth Clark
A woman is speaking into a microphone, standing in the centre of a large hall. There is a big crowd standing at a distance, all around her. In front of her, there are two long tables running parallel to each other. On the left there is a man taking a video of the event. Placed ahead of the tables and the man, are two speakers, held up by tripod stands. They are connected to a control box placed between them.
Sue Tompkins, Come To Ozark, 2014
Gallery of Modern Art, Glasgow International 2014
Photo: Ruth Clark
In a large white room, on the wall on the right, six colourful pieces of cloth are hung on the wall. On the left side wall, there are seven paper artworks positioned on the wall. There are two half rectangle shaped large archival tables placed facing away from each other. The tables have various papers and documents placed on them with a generous distance between them.
Sue Tompkins, Come To Ozark, 2014
Gallery of Modern Art, Glasgow International 2014
Photo: Ruth Clark
Atelier Public #2 - a pile of scrap paper/cardboard
Atelier Public #2, 2014
Gallery of Modern Art
Photograph: Jean Donaldson
Three large mechanical looking insects are printed on polyester foil panels, they seem to be suspended from the ceiling. They have 4 legs and big, pink, bulbous eyes. The carry big container looking shells on their backs. Their mouth and feet are bronze while their bodies are silver.
Aleksandra Domanović, 2014
Gallery of Modern Art, Glasgow International 2014
Photo: Ruth Clark
A giant robot is printed onto suspended panels of polyester foil. The transformer like robot has clamps for hands. There are two different coloured wires running through the legs and body of the robot, with a small bright light in place of the head.
Aleksandra Domanović, 2014
Gallery of Modern Art, Glasgow International 2014
Photo: Ruth Clark
A futuristic looking mechanical, capsule is printed on a wall of polyester foil panels. It has a control screen on the side, a paper with a letter and an image of Snow White and the 7 Dwarves stuck on the glass of the capsule. The capsule is attached to a disk like base.
Aleksandra Domanović, 2014
Gallery of Modern Art, Glasgow International 2014
Photo: Ruth Clark
The wall is covered with rows of science fiction film DVD covers, Avatar and Total Recall among them. next to the wall is a perpendicular wall of shelves and chest of drawers in a minimalistic aesthetic corresponding to that of the wall.
Aleksandra Domanović, 2014
Gallery of Modern Art, Glasgow International 2014
Photo: Ruth Clark
A large reflective, plastic coat hanging off a hanger is printed on polyester foil panels, with laser printed coloured animated figures of three school girls.
Aleksandra Domanović, 2014
Gallery of Modern Art, Glasgow International 2014
Photo: Ruth Clark
gallery installation, large pillars in foreground with view of sculptural works in background
Karla Black, Karla Black, 2012
Gallery of Modern Art, Glasgow International 2012
sculptural works hanging from ceiling in an ornate hall, with a large pile of sand on the ground
Karla Black, Karla Black, 2012
Gallery of Modern Art, Glasgow International 2012
close up of sculptures made from cellophane with gold painted details on a bed of sand
Karla Black, Karla Black, 2012
Gallery of Modern Art, Glasgow International 2012
close up of sculpture made from cellophane, with pillars in background
Karla Black, Karla Black, 2012
Gallery of Modern Art, Glasgow International 2012
film still of two people stood looking at the camera. one wears a grey hoodie
Fiona Tan, Tomorrow, 2010
GoMA, Glasgow International 2010

GoMA is located in the centre of Glasgow. It houses four galleries, a library and gallery shop selling a range inspired by the Collection. GoMA is a world class art museum and a place for people to gather, to learn and to share ideas. We display, borrow and collect artworks from around the world.

Projects