Patricia Fleming Gallery | GlasgowInternational

Installation view with a figure in dark, flowing clothing walking past a long black-and-white panel painting on the left wall. To the right, a large white padded, biomorphic arch-like sculpture has a rounded screen embedded in it, displaying a dense purple, tree-like or foliage image.

A long, narrow horizontal panel painting mounted on a white wall above green carpet. The composition is rendered in black, white and grey, with dense, layered abstract forms resembling birds in flight, antlers, and foliage against a streaked, atmospheric background.

Installation view of a curved gallery corner with green carpet. On the left wall, a small taxidermy-style black bird sculpture perches on a dark tufted form. On the right wall, a small framed panel shows an abstract black and white image with organic, branch-like forms.

Installation view of a white gallery room with green carpet. On the left wall, a long horizontal painted panel shows abstract black and white forms suggesting birds and foliage. On the right, a large white padded, biomorphic arch-like structure stands in the room with a rounded video screen embedded in its surface, showing a swirling purple-toned image.

Installation view of "Daybook" showing Anna Paterson's pale striped panel work beside Amelia Barratt's small oil painting "Fusebox," depicting a warm-toned interior scene with a window and objects on a table.

Anna Paterson's "Pressure," a tall panel work in oil on paper with pins, divided into bands of pink, speckled grey, black, and yellow-green patterning.

Amelia Barratt's "Lift," an oil painting in ochre and jade green tones suggesting a landscape or window view with a pale reflective surface below.

Anna Paterson's "Oriel," a large panel work in oil on paper with screws, its surface divided into a pale blue grid crossed with faint diagonal lines.

Amelia Barratt's "Canal," an oil painting with a deep purple sky over a golden yellow ground, with loosely rendered forms in blue, green, and white.

Two of Anna Paterson's oil-on-paper panel works side by side, one with a speckled white dotted surface, the other divided into coloured vertical bands including red, blue, and yellow.

Installation view of "Daybook," pairing a small ochre and green painting with a larger canvas depicting a red car-like form and pale wall, both by Amelia Barratt.

Installation view of "Daybook," showing Anna Paterson's speckled panel work through a doorway alongside Amelia Barratt's small interior painting on the facing wall.

Installation view of "Daybook," showing a tall striped panel work by Anna Paterson through a doorway, with a small painting by Amelia Barratt on the adjacent wall.

Anna Paterson's "Angel," an oil-on-paper panel with washers and screws, its surface covered in a fine dotted pattern across a pale ground.

Amelia Barratt's "Subway," an oil painting in deep red and teal tones with gestural brushwork, hung on a weathered tiled wall.

Amelia Barratt's "Sunscreen," an oil painting showing a red car-like form beneath a pale wall, with a figure in blue rendered loosely at its edge.

Anna Paterson's oil-on-paper panel work, its cream surface scattered with small marks in blue, red, yellow, and black across a grid of joins.

Projects

Programme

Patricia Fleming Gallery

Quiet Folds Dispersing You

Patricia Fleming Gallery 44 Carlton Place G5 9TW
Programme

Patricia Fleming Gallery

Daybook

Patricia Fleming Gallery, Oxford House, 4 Oxford Lane, Glasgow, G5 9EP