Glasgow International Festival of Contemporary Art
 

The Hunterian Art Gallery

A work of art, featuring an off white canvas with a line of different coloured squares stacked up to the mid point of the canvas.
A white figurine leans back away from a wall, there is a bullet-like object in front of the face of the figurine.
A chair is displayed against a white wall, alongside two other objects.
In a white wall, there is a white figurine at the back of the room, with a chair and other objects on the right side of the room.
An artwork with coloured splatter marks, in red and pale blue.
An image of a single sculpted figure by Cathy Wilkes in a gallery
An image of three sculpted figures by Cathy Wilkes installed in a gallery space.
An image of a film being screened in a dark room. The screen shows two people sat at a table, one appears to be giving the other a tarot reading. They both look surprised. There are eggs suspended in the air behind them and dahlias in a vase on the table.
image of film being screened in a dark room. There are 4 actors in seated positions and two doing handstands. They are wearing very brightly coloured clothing.
An image of a film being screened in a dark room. The screen shows a person at a desk with an audience in front of them. There is a curtain of eggs suspended in the air behind them.
Image of a film being screened in a dark room. The screen shows a person in a dress opening a door in a wall that is covered in drawings. A red light comes from the doorway.
image of film being screened in large dark room. the screen shows a giant ear and two naked bodies lying one atop the other.
Black cursive text on a gallery wall that begins 'The tropical flower, invading space. A shapeshifting design'. A canvas of tartan fabric hung on the gallery wall.
black cursive text on a gallery wall that fades to a light grey reads 'No smoke without you, my fire...', 'Transatlantic trade as a circulation of form: traces of bodies, Bouganvilleas, textiles, tobacco. 'The Sea is history' wrote Derek Walcott. But the waters are too deep and smoke gets in my eyes.'
3 artworks on the walls of a gallery, 2 framed, 1 unframed.
a large photographic print of a person in a dynamic pose. Black cursive text on an wall. A TV screen propped on the gallery floor.
a large botanical print hangs from a gallery ceiling, down the gallery wall and onto the floor in a roll.
an A4 print on a gallery wall. Black smudges on the print splay out onto the gallery wall
installation view of a gallery. on the wall it reads 'Joseph beuys'. surrounding there are  gilded framed works on a wall and a glass display case/plinth
a row of framed works on a wall.
3 wood and glass display cases. in the first there is a tree stump, the second a chair and the third a metal cylinder

The oldest public museum in Scotland, with collections spanning arts, sciences and humanities, The Hunterian is at the forefront of university museums around the world. Since it opened at the University of Glasgow in 1807, The Hunterian has been an invaluable academic and community resource. It is committed to becoming a more meaningful place for more diverse audiences.

 

The Hunterian collection’s historic foundation is a repository of knowledge that materialises the problematic history of modern Western society and its fundamentally colonial and capitalist underpinnings. Taking this as a point of departure and critical reflection, The Hunterian’s contemporary art programme seeks to interrogate the institution’s genealogy, and to introduce different perspectives into its spaces.

 

Working with a wide range of artists on acquisitions, commissions, exhibitions and events, our contemporary art programme allows The Hunterian to find new ways of using our historic collections to understand the world today.

 

Projects