Glasgow International Festival of Contemporary Art

Ashley Holmes Live Audio Essay

Ashley Holmes sits at a table set up with DJ equipment, including turntables and a mixer, holding up a record sleeve reading "Jamaican Ritual Music" and speaking into a microphone. A Glasgow International festival banner stands behind him, listing the festival dates as 5 to 21 June.
Aerial view of an outdoor courtyard event, with an audience seated at round tables arranged in a loose circle around a small stage. Ashley Holmes stands at the stage performing at a DJ setup, with a screen beside the stage reading "Ashley Holmes Live Audio Essay" and Glasgow International banners in the background.
Ashley Holmes gestures while speaking at a table with a laptop and DJ mixer in front of him, a microphone positioned nearby. A Glasgow International banner is visible behind him.
Ashley Holmes smiles as he places a vinyl record onto a turntable at a table with a laptop and DJ mixer. A Glasgow International festival banner stands behind him, listing the dates 5 to 21 June.
Dates and Opening times

Thu 11 Jun, 6pm - 8pm

Venue

The Briggait (Wasps Studios), 72 Clyde Street, G1 5HZ

Participants
Ashley Holmes
Accessiblity

This venue is wheelchair accessible

This event is being live captioned

For Gatherings, artist Ashley Holmes will present Dub Epistemology, an ongoing series of hybrid talks and live audio essays that treat sound as both archive and method. For this event, Holmes builds on his collaborative work with Zoë Zo, Zoë Tumika, & Zoë Guthrie for aweys gaun, an upcoming exhibition part of Glasgow International 2026 - a project that honours the longstanding “hereness” of Black life in Scotland, calling and responding to, and swaying with, the Black Atlantic hum.

In this next chapter of his live audio essay series, Holmes explores the river as a recurring sonic and symbolic presence across Black musical traditions, tracing it as a site of memory, migration, spirituality, resistance, and return. Dub Epistemology proposes active, critical listening through personal collections of music, records, and Black Atlantic audio as a way of knowing.

Ashley Holmes

Ashley Holmes is an artist exploring collaborative and experimental approaches to performance, publishing and broadcasting. His work critically examines the ways music and sound function as sites of knowledge production, collective memory, and political possibility. Holmes’ recent research investigates how Western norms of ownership and property shape the circulation of music, access to land, and relationships to place – situating these questions within a wider discourse around identity, coloniality, and historical, cultural and social contexts.

He has recently exhibited work and performed at V&A Museum (2025), Arts Catalyst, No Bounds Festival, We Out Here Festival (2024), Horst Arts & Music Festival (2023), Turner Contemporary (2022), Frieze London (2021) and more. Ashley is a resident on NTS Radio, where he has hosted Tough Matter, a monthly show of experimental music and sound since 2017. He has been organising listening sessions and gatherings giving space to collectively listen and hold discussion around embodied knowledges and relationships to music, sound, memory and oral histories. In 2024 he was recipient of the Serpentine’s Support Structures for Support Structures fellowship award. Ashley teaches on the BA Fine Art programme at Liverpool John Moores University where he is also currently completing an MA in Fine Art.