Glasgow International Festival of Contemporary Art
There are folding, sliding doors which are half open. They lead to a dark room with a monitor at the end of the room. The Screen of the monitor has the image of a puppet man. He has big ears, big nose and a beard. He is reading a book, while looking at something and making the gesture insinuating asking someone to call him.
In a dark room, there is a large projector screen placed in the centre. This screen shows the image of a wall on the side and pipes spread out throughout the area. There are some orange translucent work like objects, made of hay like material, placed on various parts of the image. The walls on the sides of the screen have some screens hanging on them, but they are barely visible due to the darkness.
A projector is placed on top of a stack, consisting of a plinth and a box, projecting a small mid shot of a man in a suit onto a large projector screen. The shot of the man starts from his shoulders till his mid thigh. Thee walls of the room are wooden.

McLellan Galleries

Jordan Wolfson creates sculptural videos that use high-quality production methods, often working with animators with experience in commercial film, music videos and advertising. Whilst his work navigates universal themes; life, death and love, Wolfson’s authorial voice speaks of the artist’s place within this constructed world – as a conduit for received images, actions and language. The protagonists in these intuitively constructed pieces are hand-drawn or computer generated animations that glide over a surface of stock and shot imagery. Wolfson’s videos are often formed of paradox. He delivers absurd and contradictory narratives, characters and motifs; a punk with a cheeky demeanor, a cartoon angry kid, an orthodox Jew reading a Vogue and performing a lovers’ exchange.

Glasgow International 2014 presented a mini-survey of Wolfson’s work, showing videos from over the previous decade, installed throughout the lower level of the McLellan Galleries.

Commissioned by Glasgow International
Supported by Homecoming Scotland and Culture 2014